Month: April 2016

Renaissance Man

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Leonardo Da Vinci
Written and illustrated by Mike Venezia
(Children’s Press, 2015, New York, $29)

Artist, architect, scientist, and inventor, Leonardo Da Vinci was a genius by any standards. In Leonardo Da Vinci, author-illustrator Mike Venezia shares Da Vinci’s life, career, and art with early readers. Interspersed with Venezia’s straightforward narrative are his humorous, cartoonish illustrations about the artist’s life. In addition, photographs of Da Vinci’s paintings and sketches appear throughout the book. This allows readers to see the artist’s technique and appreciate his work. Finally, a map of Da Vinci’s Italy and a quiz about his life add to the biography’s appeal. Like the other titles in the Getting to Know the World’s Greatest Artists series, Leonardo Da Vinci introduces beginning readers to one artist’s oeuvre. It also gives kids who might not be exposed to museums or art books a chance to view great art. Mike Venezia is taking art out of the gallery and bringing it into children’s lives.

-Dorothy A. Dahm

By Her Own Light

9781585369553_fc-1Miss Colfax’s Light
By Aimée Bissonette
Illustrated by Eileen Ryan Ewen
(Sleeping Bear Press, 2016, Ann Arbor, $16.99)

For forty-three years, from 1861 to 1904, Harriet Colfax kept the Michigan City Lighthouse. She worked round the clock, fueling and refueling the light, dragging fuel up and down the lighthouse stairs, and maintaining a log of the weather and her activities. Although the work was hard, Colfax reveled in her independence – and took pride in her labor.

In Miss Colfax’s Light, Aimée Bissonette and illustrator Eileen Ryan Ewen celebrate Harriet Colfax’s life. In frugal, vivid prose, Bissonette conveys both nineteenth century constraints on women’s choices and Colfax’s determination to succeed in a man’s world. Excerpts from Colfax’s log appear in several spreads, further illuminating the harsh weather and constant toil that formed her days. Ewen’s illustrations evoke both the coziness of the lighthouse and the exhausting nature of the work. Readers see for themselves just how backbreaking the work was and why Colfax embraced this existence. An author’s note provides additional information about Colfax and includes a glossary of lighthouse terms.

Miss Colfax’s Light is a winning picture-book biography of an unconventional Victorian woman. It is also a look at a vanished way of life and a testament to the satisfaction of a job well done.

-Dorothy A. Dahm

 

Faces of Feminism

fightlikeagirl
Fight Like a Girl: 50 Feminists Who Changed the World
By Laura Barcella
Illustrated by Summer Pierce
(Zest Books, 2016, San Francisco, $14.99)

What is feminism? Every feminist has a different definition of the concept. In Fight Like a Girl, Laura Barcella profiles fifty women, all of whom project a different image of feminism. There’s a lot to like about this collective biography for young adults: Barcella’s lively voice, Summer Pierce’s engaging black and white portraits of the book’s subjects, and the diverse array of individuals profiled. Barcella’s subjects include artists and scientists, athletes and politicians, activists and writers, white women and women of color, straight women and members of the GLBTQ community.

Still, despite these virtues, some of Barcella’s choices are questionable. In her introduction, she explains that she didn’t include Gloria Steinem and other well-known feminists because she “didn’t want this book to exist solely as a refresher course.” However, it seems unlikely that today’s teens would have significant knowledge of Steinem, Friedan, or other well-known feminists who do not appear in this book. Also, although Barcella profiles some early figures, including Sojourner Truth and Mary Wollstonecraft, others, including Susan B. Anthony, Lucretia Mott, and Lucy Stone, do not appear. In fact, not one figure from the American suffrage movement made the cut. Instead, Barcella celebrates pop culture icons (Beyonce, Madonna, Queen Latifah) who have spoken about women’s rights. She also includes notable women who do not necessarily identify as feminists or have connection to the movement (Rosa Parks, Jane Goodall, and Japanese artist Yayoi Kusama). Had Fight Like a Girl merely been a collective biography of influential or pioneering women, these choices would have made sense. As the book exists, however, these selections seem more like an attempt to stretch the definition of feminism than to educate readers about early participants in the movement.

Fight Like a Girl purports to give young adult readers a kaleidoscope view of feminism, and it does show the diversity of the concept and its adherents. However, by spurning early activists in favor of contemporary celebrities, the collective biography inadvertently dismisses the sacrifices women made so that others could vote, own property, work without fear of harassment, and attend school. Singing a song about women’s issues may still be controversial, even in twenty-first century America. However, early activists faced social ostracization and even imprisonment. They had to be braver than today’s boldest artists. Without their efforts, the actions of today’s feminists might not be legal or possible.

– Dorothy A. Dahm